Smooching through a digital divide.
Nathan has a bit of post-death ennui.
Perhaps Nora can help with that.
Dylan (Rhys Slack) did not want to die falling into the Grand Canyon, but he did it with style.
A visit to the digital afterlife’s black market sector.
Kevin Bigley is a scene stealer as Luke, a veteran who’s struggling to adjust to his digital afterlife.
For a scene in the pilot where Nathan is pulled over by a traffic cop — actually a drone, with the officer communicating electronically via screen — the team digitally recreated the Los Angeles background rather than try to shoot on location, when timeline anachronisms could creep in. For the New York scenes, Krasser’s team looked up the city’s construction plans for the future and tried to incorporate those into their depictions.
Meanwhile, the digital afterlife was designed to look almost hyper-real, with a touch of the ” uncanny valley
In a later episode, there’s a scene where the digital afterlife’s server degrades to the point where all the Lakeview residents are rendered in s style computer graphics. (Krasser said he was particularly inspired by the music video for Dire Straits’ ” Money for Nothing. “” We could have just gone with de-rezzing, where everything is all pixelated, but where’s the humor in that? ” he said. Instead, he opted for simplified caricatures of the actors, basing the animations on the actors’ movements and reactions (without resorting to motion capture).
The memorable characters and terrific performances across the board are the series’ greatest strengths. The versatile Amell has already demonstrated his action / thriller abilities with Code 8. He’s equally adept at comic timing, making Nathan — who could have just been another obnoxious tech-bro — a charming, warm, and likable character, despite his obvious flaws. He has great chemistry with Allo’s Nora. Bigley steals nearly every scene he’s in as Luke, whose emotional immaturity finds a match in the eternally pubescent Dylan — a standout performance from relative newcomer slack. And It would have been so easy to let Ingrid just be a shallow, vain entitled rich girl, but the script and Edwards’ nuanced performance keep her from becoming pure caricature.
Upload is currently streaming on Amazon Prime Video, and it’s eminently bingeable. The cliffhanger finale will definitely leave you wanting more.
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