Review: Chris Hemsworth shows his dramatic acting chops in Extraction, Ars Technica

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Streaming services like Netflix provide a much-needed platform for mid-level films

Jennifer Ouellette – Apr , (8:) (UTC UTC)

/ Chris Hemsworth plays a ruthless mercenary whose latest mission calls for recusing a drug lord’s kidnapped son from Bangladesh. Netflix (Chris Hemsworth gets a chance to stretch his acting chops as a hardened mercenary hired to rescue the kidnapped son of a crime lord in Mumbai, India, in Extraction , a new original action thriller from Netflix. The film is produced by the Russo Brothers ( The Avengers: Infinity War, Avengers: End Game ), which is probably how the film snagged Thor himself as the star. (We can probably thank Netflix for

Stranger Things ‘David Harbor’s cameo appearance.) (Some spoilers below, but no major reveals.)

Joe Russo penned the script, and the duo tapped stunt coordinator Sam Hargrave to make his directorial debut. Hargrave’s stunt work has been featured in several MCU films (Captain America: Civil War, Thor: Ragnarok , for example), as well as (The Hunger Games) franchise and atomic blonde .

The official premise is short and sweet: “Tyler Rake (Hemsworth) is a fearless black market mercenary who embarks on the deadliest mission of his career when he’s enlisted to rescue the kidnapped son of an international crime lord. ”

Compounding matters is the fact that Rake has lost his own son and is dealing with the grief and depression one might expect from such a tragedy — namely, by drinking heavily, popping lots of oxycontin, and taking crazy stupid risks. “You’re hoping if you spin the chamber enough times, you’ll catch a bullet,” his perceptive fellow merc and partner, Nik Khan (Golshifteh Farahani) tells him.

The extraction of the kidnapped Ovi (played by newcomer Rudraksh Jaiswal), proves significantly more difficult than originally anticipated. Ovi’s father is currently in prison, with his financial assets frozen. So when henchmen of Bangladeshi drug lord Amir Asif (Priyanshu Painyuli) kidnap Ovi, he can neither pay the ransom, nor the fee for hiring Tyler, Nik, and their crew. Instead, the crime lord’s top aide, Saju (Randeep Hooda), tries to take Ovi back after Tyler completes the initial rescue to avoid paying him for the job. Soon Asif has shut down the entire city of Dhaka to prevent Ovi’s escape. In addition to the drug lord’s forces, Tyler must battle local police and military forces in league with Asif to get Ovi across a bridge to (relative) safety. The odds are heavily against them. “That kid is a walking corpse,” Harbor’s Gaspar, a former teammate of Tyler’s now living in Dhaka, tells him. “And there’s no way to protect him. The best thing you could do for that kid would be to put a bullet in his brain.”

Mercenary Tyler Rake (Chris Hemsworth) has nothing left to lose.

He’s grieving his young son’s death.

YouTube / Netflix

French-Iranian actress and singer Golshifteh Farahani plays Nik Khan, Tyler’s business partner and fellow mercenary.

YouTube / Netflix

Amir Asif (Priyanshu Painyuli) is the Bangladeshi crime lord who kidnaps the son of a rival drug lord.

YouTube / Netflix

Tyler is hired to extract the boy.

YouTube / Netflix

Rake offers proof of life for Ovi (Rudraksh Jaiswal). YouTube / Netflix

But the city goes into lockdown before Rake can complete the extraction. YouTube / Netflix

“Do you trust me?” No.

Tyler shields Ovi as gunfire breaks out. Netflix

David Harbor makes an appearance as Gaspar, Tyler’s jaded fellow mercenary now living in Dhaka. YouTube / Netflix

Rake is determined to save Ovi anyway. YouTube / Netflix

Run, Ovi, run! YouTube / Netflix

Rake takes cover. YouTube / Netflix

Sharing a rare quiet moment. YouTube / Netflix

Bonding. YouTube / Netflix

There is much to like about Extraction , most notably the high- octane, beautifully choreographed action sequences, courtesy of Hargrave’s hard-earned stunt expertise, in which Tyler channels his inner John Wick to even out the odds a bit. Thanks to a generous $ million budget from Netflix, the production values are very high, on par with many theatrical releases, and while the plot is sometimes muddled, things move along at a brisk pace.

Hemsworth is more than capable of the physicality required to play Tyler, and also brings the right amount of dark emotional intensity to his portrayal of the grief-stricken merc. He’s supported by an equally strong cast, most notably Hooda’s Saju and Jaiswal’s Ovi, a shy, sensitive kid who just wants to hang out with his friends after school, and instead finds himself fighting for his life.

That said, the film feels a bit thin. There isn’t much in the way of surprising plot twists, and while there are nods at deeper emotional resonance — most notably a brief bonding moment between Tyler and Ovi while holed up in a temporary shelter — those quickly give way to another violent action sequence . Extraction

is also unrelentingly grim. Granted, the John Wic k franchise also leans into its dark themes and subject matter without apology. But ultimately Extraction Just isn’t having as much fun.

Still, it’s a solid, entertaining action thriller, and a nice addition to Netflix’s growing catalog of original films. In fact, that might be the most significant aspect of Extraction :: it was made specifically for digital distribution, rather than a broad theatrical release — even before the coronavirus pandemic shut down movie theaters around the world. The Russo brothers, who cut their teeth in television with the series Community, have fully embraced the changing media landscape, shuttling easily between blockbuster theatrical releases like Avengers: End Game and digital releases like (Extraction) .

“The greatest thing that Netflix has done is take away box office from defining the success or quality of a film,” Joe Russo Deadline Hollywood

in a recent interview. “Movies are having trouble being funded in the old way and models don’t support it anymore.” While he thinks there will always be a place for the communal experience of going to a movie theater, he thinks that will be reserved for big-budget blockbuster releases, where the economics are more favorable. Streaming services like Netflix can provide a much-needed platform for mid-level films like . “Frankly I’m hoping the prejudice between digital and theatrical distribution disappears because I don’t find it helpful,” Joe Russo added . “And I don’t think the audience, especially the young audience, cares. Some of the best quality storytelling we’ve ever had is on television right now through digital distribution.” Well said.