“I hate mushrooms” –
With the redesign out of the way, why else should anyone attend this video game film?
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The nicest thing I can say about this week’s new movie is that Sega and Paramount dodged a monumental disaster. This film’s camera is in love with Sonic, the sole CGI-ified star. It constantly stares him down, lingers on his cartoon-bulging eyes, and allows the animation crew to sell his emotional state. Not that Sonic is a subtle character; actor Ben Schwarz ( Parks & Recreation
Jim Carrey hasn’t been this fun in a starring role in some time. (I won’t stop you from counting
What does is a strand of Sonic fur taste like? Spicy, apparently.
Sega / ParamountRobotnik and Tom meet, before Robotnik eventually dons his familiar outfit from the game series.
Sega / ParamountShortly before meeting Sonic, Tom and his wife (played by Tika Sumpter) begin making big plans.
Sega / Paramount411? Is this some metric-system nonsense? ”
Sega / Paramount“Hey, let’s fake like that fast food company whose commercials star two guys cracking wise in their car. What’s it called? Hmm, it’s on the tip of my tongue …”
Sega / Paramount
I would have preferred a Sonic Fighters reference at this moment. Alas.
Sega / Paramount
Also, he never glides around on golden rings in the games, though that would be a sweet option.
Sega / Paramount
At its best, the VFX team pulls off gags like this just-dried furball moment.
Sega / Paramount
But the general lack of believable ambient occlusion becomes noticeable throughout the film.
Sega / Paramount
I can’t even imagine this scene with the original character design.
Sega / Paramount
I land on an overall positive verdict mostly thanks to Jim Carrey’s whirlwind comedic performance as series villain Dr. Robotnik. His script has zero apparent ties to series lore (which, to be fair, is mostly two-dimensional cheese found in cartoon and comic-book adaptations). Instead, the writing and directing crew appear to have given Carrey full rein to play up the “egocentric, genius megalomaniac” archetype however he saw fit. Based on how far his character flies off the rails, with speeches perfectly synced to Carrey’s physicality and timing, I get the impression the actor ad-libbed what we get on-screen. Yet even if I’m incorrect, his rhythms and intensity fall into an incredible groove, as if he were teaching a masterclass on ‘ s B-movie villainy .
To that end, neither Carrey nor anyone else here has an allegiance to a “Sonic-worthy” plot or references. When Carrey is hilarious, he’s acting like a madman trapped in his own universe, not Sega’s. And when Sonic is dashing around or fighting robots, the results rarely look like the action in the blue hedgehog’s classic games. He has maybe two “spin dash” moves throughout the film’s minutes, and he rarely bounces on top of bad guys to destroy them. Not that it matters
Strangely, the filmmakers can’t get past a different superhero’s archetype: the Flash. Everything Sonic does in this film revolves around his ability to run fast, which they take to mean he has a mastery of time and space — that he can perceive the world around him in slow motion, or that he can run insane distances almost instantly. Most of Sonic’s visual gags in the film revolve around this concept, and a stack of licensed DC Comics books in one scene reads less like an homage and more like an open admission of a dry creative well.
Sure, he can slow time down, mess with nearby people while time’s frozen, and then call “time in!” to watch the sparks fly. It’s cute. I chuckled. But it’s not a very inventive twist on the ancient bullet-time concept. Why not make Sonic abide by the game series’ challenge of finding loops, ramps, and momentum-drivers to build his speed? Why not have him spin-dash to knock down walls? I can think of a bunch of silly, family-friendly gags that would revolve around those limitations
From there, Sonic is ordered to use his magic bag of rings to warp from one universe to the next any time someone sees him using his super-fast speed. (Why must he always hide, as opposed to employing his powers for good? We never get a good answer.) This changes when he lands on Earth — more specifically, a small town in Montana — and begins creepily stalking a cop named Tom ( played by James Marsden of
Sonic’s loneliness gets the better of him, and he breaks out of his hiding hole to ask for Tom’s help. What does Sonic need? Why, a ride to the other side of the United States, where his bag of rings accidentally wound up. When asked why he does insta-run there himself, especially in an emergency, sonic complains that he does not have a map. I mean, the film
The film pits Tom and Sonic, who become pals during this road trip, against Robotnik, a US Government-sponsored researcher who apparently gets hired to clear up CIA-grade emergencies. The film’s best quality is its focus on these three stars, as opposed to a bloated and unwieldy cast of family-comedy characters. Marsden is particularly nimble at walking the delicate line between being Sonic’s disciplinarian and his pal — and delivering
I’m glad Sonic had enough of its parts in place to get me through a viewing feeling entertained. But the only thing that would get me to recommend this film over other family-friendly options is, honestly, Jim Carrey’s performance. Nothing else in
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